Website Organization Chart     (As revised, July 2010)

 

1.0  Home Page

 

2.1  New Table of Contents
2.2 First Time Visitors
     2.2.1 - What is the purpose of this website?
     2.2.2 - Who am I?
     2.2.3 - What is covered in this work?
     2.2.4 - How do you get to a specific topic
     2.2.5 - If you don't know much of anything about the film, how do you start?
2.3 Release log List
2.4 About the Site, email, licensing, research
2.5 Original Site intro
2.6 Topic Index

 

3.1 Beginner's Guide
     PDF download link
3.2 The Physical Film
     3.2.1 - Introduction
     3.2.2 - The PGF, Described and Studied
     3.2.3 - Frame Inventory, Artifacts, and Splice Analysis
                   (All above on PDF 3.2  #1)
     3.2.4 - Reference Material
        3.2.4.1 - Film Type, Basic Film Specs, Cropping,
        3.2.4.2 - Inventory of materials, copies, prints, resources
        3.2.4.3 - Copy Quality and genealogy
        3.2.4.4 - Analysis processes, stabilization, etc.    
        3.2.4.5 - The filming camera and camera Identification
        3.2.4.6 - Camera  runouts (detailed)
                   (All above on PDF 3.2  #2)
     3.2.5 - Related Footage
        3.2.5.1 - First Reel scenes
        3.2.5.2 - Second reel scenes (the Trackway)
        3.2.5.3 - John Green's Re-enactment with Jim McClarin
        3.2.5.4 - Roger's documentary footage
                  (All above on PDF 3.2  #3)

 

3.3 The Filmed  Subject

 

     3.3.1 - Introduction
     3.3.2 - Real or Fake
        3.3.2.1 If real, Human, Ape Giganto
        3.3.2.2 If fake, cheap, excellent,
     3.3.3 - Analysis processes
        3.3.3.1 - Anatomical Analysis and comparative anatomy
        3.3.3.2 - Motion studies and walk cycles

 3.3.4 - Curiosities of the Body
        3.3.4.1 - The drooping shoulder and loose wrist.
    3.3.5 - The feet and the trackway
        3.3.5.1 - The foot to body ratio issue

 

3.4 The Creature Suit Analysis   (Revised and expanded for 2010) 
     3.4.1 - Introduction
     3.4.2 - The Creature Suit Analysis Notes
        3.4.2.01 - fur
        3.4.2.02 - under the fur
        3.4.2.03 - the mime inside
        3.4.2.04 - extra hands
        3.4.2.05 - Building patty
        3.4.2.06 - Comparative Anatomy
        3.4.2.07 - Neck seams
        3.4.2.08 - Neck hackles
        3.4.2.09 - A study of probability
        3.4.2.10 - Flab
        3.4.2.11 - The next step
        3.4.2.12 - Hip Seams
        3.4.2.13 - Can rebuilding Patty prove anything?
     3.4.3 - Fur costume gallery
     3.4.5 - Experimental goals

3.5 The Backstory
     3.5.1 - Intro and general concepts
     3.5.2 - Flaws of circumstantial evidence
     3.5.3 - Flaws of logic, failure to evaluate options
     3.5.4 - Connecting the dots
     3.5.5 - The Hoax Analysis Notes   (Revised and expanded)
        3.5.5.1 - Editing and Splicing
        3.5.5.2 - Film Processing
        3.5.5.3 - Bob Heironimous
        3.5.5.4 - Provenance and copies
        3.5.5.5 - Roger's Hollywood Connections
        3.5.5.6 - Makeup Artist opinions
     3.5.6 - Roger's film experience

3.6 The Digital Model of Bluff Creek
     3.6.1 - Introduction
     3.6.2 - The general layout of Bluff Creek
     3.6.3 - Object Identification
     3.6.4 - The photogrammetry analysis
     3.6.5 - Roger's path as he filmed

3.7 Personal Discussions
     3.7.1 - Intro
     3.7.2 - Defining a person's skill or ability
     3.7.3 - My resume and background
        3.7.3.1 - Complete resume

     3.7.4 - Science, and who is doing it
     3.7.5 - Criticizing the thoroughness of the work

 

3.8 The Rumor Mill
     3.8.1 - Introduction
     3.8.2 - Examples

3.9 The Original Website

 

4.1 Media References